Programming Note

[Leslie Howard and Norma Shearer in A Free Soul (1931)]

A Free Soul to air on TCM Sunday, January 15, 2017, at 9:00 AM PST [Please check your local listings]

Love Wins In The End

[Leslie Howard and Norma Shearer taking a stroll in between takes
on the MGM lot where they were filming Smilin' Through, 1932]

Smilin' Through is the story of Sir John Carteret (Leslie Howard), a man who suffers a life-long feeling of loss and loneliness after losing his bride, Moonyeen Clare (Norma Shearer), at the very moment they are to share their wedding vows. Their mutual friend, Jeremy Wayne (Fredric March), shows up at the church to kill Carteret out of jealousy because

I Love My Husband, But—

[Leslie Howard as Peter Standish
in Berkeley Square, 1933

Norma Shearer, in an article "I love my husband, but—" for Modern Screen, June 1935, describes Leslie Howard:

"There was Leslie Howard . . . Leslie, true spiritual, who can wear the lace frills and bend the knee with such grace and conviction. Leslie with those amazing blue eyes that so 

Programming Note

[Leslie Howard and Norma Shearer on
the set of Romeo and Juliet, 1936]

Romeo and Juliet to air on TCM on Thursday, June 30, at 12:15 AM PST [Please check your local listings]

Adapted from the play by Shakespeare, Leslie Howard appears in this film from 1936 directed by George Cukor and co-starring Norma Shearer as Juliet. The screenplay is by Talbot Jennings. The supporting cast includes John Barrymore, Basil Rathbone, Edna Mae Oliver and Andy Devine.

The New York Times selected the film as one of the "Best 1,000 Movies Ever Made."

On the night of the Los Angeles premiere at the Carthay Circle Theatre Norma Shearer's husband and the producer of the film, Irving Thalberg, died at the age of 37. Of course, the show still went on.

The picture received four Academy Award nominations:

Best Picture - Irving Thalberg

Best Actress - Norma Shearer

Best Supporting Actor - Basil Rathbone

Best Art Direction - Cedric Gibbons, Fredric Hope and Edwin B. Willis

[Leslie Howard as Ashley Wilkes in
Gone With The Wind, 1939]

Gone With The Wind to air on TCM Friday, July 1, at 6:15 PM PST [Please check your local listings]

Vivien Leigh, Clark Gable, Leslie Howard and Olivia de Havilland star in the top grossing movie of all time, Gone With The Wind. Produced by David O. Selznick, Directed by Victor Fleming and Screenplay by Sidney Howard, this film was delayed for two years while Selznick negotiated with MGM for Clark Gable and conducted an extensive "American Idol" type search for Scarlett O'Hara.

Top Awards:

Best Picture - Selznick International Pictures
Best Director - Victor Fleming
Best Actress - Vivien Leigh
Best Adapted Screenplay - Sidney Howard
Best Supporting Actress - Hattie McDaniel

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Acting vs. Horses

This week I have talked about Leslie Howard's dislike of acting vs. his love for horses. I am not one of those fortunate people who have spent my life around horses, but I know some who have. And those who have will tell you that people can learn a lot from horses. Horses challenge those who care for them to be better people. And horses are unpredictable. And, of course, horses are beautiful. All these qualities are opposite to Howard's feelings on acting.

Leslie Howard may not have liked acting, but just as he loved the beauty, challenge and unpredictability of horses, I love the beauty of his performances. I wish that Mr. Howard could have appreciated that his acting, for a great many people, was the same as his quiet talk to the horse that needed soothing.

Watching Leslie Howard on the screen is a beautiful thing. Just look at his eyes and you will see his despair after he kills Ace Wilfong (Clark Gable) to protect the woman he loves (Norma Shearer) in A Free Soul (1931). Or feel his resignation with every movement of his hands when he realizes his wife, Cee (Myrna Loy), is manipulating him with sex, not love, to get his money in The Animal Kingdom (1932). See the shock and hurt on his face when Mildred Rogers (Bette Davis) screams the words he feared but always expected to hear, "a cripple, A Cripple, A CRIPPLE," in Of Human Bondage (1934). And then, in just the turning of his head, see his surprise and then disappointment when he realizes that Scarlet (Vivien Leigh) would strip him of all his dignity without a second thought in Gone With The Wind (1939).

I wish that Leslie Howard could have enjoyed acting the way he enjoyed horses. I wish that he had found acting a challenge. I wish that acting for him had not been so predictable and boring. And I wish that Mr. Howard had realized the beauty in his performances and how much they meant to his fans then and how much they would still be enjoyed nearly 100 years later by people like me. I wish that Leslie Howard had realized that in his acting there was artistry.

Have a fantastic weekend everyone!

[Leslie Howard by Reginald G. Eves]

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History Repeating Itself?

Back in the early 1930's there was a movement abroad in the land started by a few in Washington, in particular Murray W. Garsson, Special Assistant Secretary of Labor, to kick out all of "Hollywood's aliens." According to Mr. Garsson:

"I would not even venture a guess as to the number of foreign players illegally in Hollywood--there are so many of them. These people will have to get out and go back where they belong. We are doing this to protect American actors and actresses. We do not object to the bringing of a player like Chevalier here to do a part no one else can do. But we do object to hordes of players coming here and settling, many of them illegally and, while claiming allegiance to another flag, taking the work that is so badly needed by our own players."

The people who Mr. Garsson was targeting were not only actors, but also writers, directors and technicians. Among the "hordes" who were asked to make a hasty retreat back to "where they belong" were: George Arliss, Charles Chaplin, Elissa Landi, Marlene Dietrich, Lupe Velez, Maurice Chevalier, Greta Garbo, Gregory Ratoff, Maureen O'Sullivan, George Brent, Ronald Colman, Benita Hume, Boris Karloff, Bela Lugosi and, of course, Leslie Howard, along with many others. And then there were those Americans who were married to "one of those" people who had to get out or be arrested and deported, such as Constance Bennett. And don't forget about those dangerous Canadians like Norma Shearer. Oh, right, she doesn't count. She had become naturalized. Sorry.

If Rudolph Valentino had still been alive at that time, I think it is safe to say that the women of America would have run Mr. Murray W. Garsson out of town on a rail.

More tomorrow...

[Leslie Howard on one of his many crossings]

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A Free Soul

[Leslie Howard and Norma Shearer
in A Free Soul, 1931]

Leslie Howard and Norma Shearer in A Free Soul, Produced and Distributed by MGM, Precode 1931. Best Actor Nomination and Win: Lionel Barrymore. Best Actress Nomination: Norma Shearer. Best Directing Nomination: Clarence Brown.

A Free Soul went into the Guinness Book for the longest take in a movie at 14 minutes. Many believe it was this scene that was responsible for Lionel Barrymore's Best Actor win that year. The film also made Clark Gable a star. It seems the audience liked to see him push Norma Shearer around. The studio reportedly received thousands of letters asking to see more of "the guy who slapped Norma Shearer."