Leslie Howard Begins His Love of Horses

[Leslie Howard]

Leslie Howard had a very active imagination and used it to begin writing plays and stories at a young age. He wrote his first play, in Latin, by the time he was 13 years old. Young Leslie's drama was presented at the Christmas pageant at his school. His mother encouraged her son, but his

Howard Meets Davis - Part Three

After months away from his children and his home, both in England, and the purchase of five polo ponies to alleviate his boredom and irritation, Leslie Howard finally began filming for Of Human Bondage (1934) in February, 1934.

The entire cast was English except for Bette Davis and Howard thought an English actress should have been cast as Mildred Rogers. Even though Davis had hired a British maid in an effort to learn the accent, Howard was not impressed. Davis was aware of Howard's feelings that she was ridiculous for the part. To observers Howard was polite but to Davis Howard was unsupportive, reading a book off stage while throwing her

Acting vs. Horses

This week I have talked about Leslie Howard's dislike of acting vs. his love for horses. I am not one of those fortunate people who have spent my life around horses, but I know some who have. And those who have will tell you that people can learn a lot from horses. Horses challenge those who care for them to be better people. And horses are unpredictable. And, of course, horses are beautiful. All these qualities are opposite to Howard's feelings on acting.

Leslie Howard may not have liked acting, but just as he loved the beauty, challenge and unpredictability of horses, I love the beauty of his performances. I wish that Mr. Howard could have appreciated that his acting, for a great many people, was the same as his quiet talk to the horse that needed soothing.

Watching Leslie Howard on the screen is a beautiful thing. Just look at his eyes and you will see his despair after he kills Ace Wilfong (Clark Gable) to protect the woman he loves (Norma Shearer) in A Free Soul (1931). Or feel his resignation with every movement of his hands when he realizes his wife, Cee (Myrna Loy), is manipulating him with sex, not love, to get his money in The Animal Kingdom (1932). See the shock and hurt on his face when Mildred Rogers (Bette Davis) screams the words he feared but always expected to hear, "a cripple, A Cripple, A CRIPPLE," in Of Human Bondage (1934). And then, in just the turning of his head, see his surprise and then disappointment when he realizes that Scarlet (Vivien Leigh) would strip him of all his dignity without a second thought in Gone With The Wind (1939).

I wish that Leslie Howard could have enjoyed acting the way he enjoyed horses. I wish that he had found acting a challenge. I wish that acting for him had not been so predictable and boring. And I wish that Mr. Howard had realized the beauty in his performances and how much they meant to his fans then and how much they would still be enjoyed nearly 100 years later by people like me. I wish that Leslie Howard had realized that in his acting there was artistry.

Have a fantastic weekend everyone!

[Leslie Howard by Reginald G. Eves]

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Leslie Howard, Horse Whisperer?

Leslie Howard had a horse named Betty. Betty was a thoroughbred but had fallen and broken her hip during a game of polo. But Leslie Howard took pity on Betty and bought her a field in England for her to live out her days.

One problem. Getting her on the boat. As Howard tells the story:

At the time that Betty was being shipped away to pastures new, there was a big dock strike and scabs were working to load the boat and great crowds had gathered, about two thousand strong, at the pier to watch things generally. A friend of mine who is very good with horses promised to look after Betty and as soon as I had finished a picture, or something, I promised to get down. 

They had tried for two hours, with this enormous gallery, to get her into the cradle, that coop-like contraption for carrying live stock from the dock to the boat, but no one could get her near the thing and it got to be pretty embarrassing. Just as soon as they worked her close she'd shy off and that was that. 

Finally I came along and found the situation fairly desperate, from their point of view. I could see the horse was simply frightened and needed some intimate conversation to take her mind off her troubles. So I walked her up and down the pier a bit and spoke soothingly to her all the time, and then I'd edge her nearer and nearer the cradle, always making sure that my body obstructed her view. She calmed down and in no time--just two minutes to be exact--I had her backed into the thing, the gate was quickly clamped down and she was on her way.

[Leslie Howard with three of his polo ponies]

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The Horsy Mr. Howard

Leslie Howard once said, "Polo is living, much more than acting is."

Howard didn't much care for acting. As a matter of fact, he said that "acting isn't a profession for men. It's much better for women. It's an outlet for emotion..." And Howard did not like to show emotion. His performances are known for his nuanced style. He was known as the "thinker's actor." One reporter noted that while watching him film Of Human Bondage (1934) with Bette Davis the only difference she could see in his acting between the first take and the fiftieth take was that by the fiftieth take he seemed bored. But he did act.

During the 1930's Howard was considered to be one of the consistently best actors in Hollywood and was nominated for two Best Actor Oscars, one for Berkeley Square (1933) and one for his portrayal of Henry Higgins in Pygmalion (1938). When Rex Harrison was asked how he won the Best Actor Oscar for the same role in My Fair Lady (1964) he stated he merely played Leslie Howard. Howard was always in demand by leading ladies and he was a favorite of studio executives. His peers thought he should have won the Oscar for his performance as Peter Standish in Berkeley Square. Back in those days the winner was announced along with the runners up in order of votes. When Charles Laughton was announced the winner of the Academy Award for Best Actor for his performance in The Private Life of Henry VIII (1933), the audience applause was muted with one watcher stating they "sat on their hands." When Leslie Howard was announced as runner up, however, the audience roared.

[Leslie Howard on the polo field]

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Mickey Mouse Polo

Leslie Howard had a love of horses. He once said that "one does not want many friends. But horses..." And for friends? He liked people who liked horses. He loved to ride and he loved to play polo. He considered polo, "unlike acting, really living." Howard was a member of The Riviera Club and his polo team was captained by none other than his friend, Walt Disney. They were the Mickey Mouse Polo Team. Honestly. The team included Will Rogers and his son, Will, Jr., Howard's good friend, Robert Montgomery, and a couple of other players.

[Leslie Howard with Walt Disney]

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