Don't Expect A Happy Ending

The Petrified Forest (1936), which will be shown this Friday on TCM, was a product of Warner Bros. Warner's was frequently on the cutting edge of what movie audiences wanted to see. They produced the first talkies, the first horror films in color, and Warners was the studio to later become known for film noir, a movement in film that reflected society's angst and conflicts and is shot in low light and shadows, with pessimistic stories about shady characters and not so happy endings.

The Petrified Forest is considered by movie historians to be a precursor to film noir. The film itself is named after an area in the Arizona desert known for its fossilized trees, conjuring up a picture of the death and

Leslie Howard's Rules of Etiquette

I have learned many things about Leslie Howard's personality during my research into the man. One characteristic I have uncovered was his need to be in control. Fortunately, Howard oozed charm and that, along with his wry sense of humor and incredible generosity, made those who loved and worked with him happy about giving him whatever it was he wanted. Following is a story from Movie Classic, March, 1936, which illustrates my point. 

Let me set up the scene. If you have seen The Petrified Forest (1936), you will remember the Black Mesa Filling Station and Bar-B-Que where Leslie Howard's character, Alan Squier, meets Bette Davis' character,

The Petrified Florist

"Imitation is the sincerest form of flattery that mediocrity can pay to greatness." ~ Oscar Wilde

Today's entry pays homage to one of my favorite Leslie Howard films, The Petrified Forest (1936), which will be shown this Friday, July 15, at 5:30am PST. It is a short scene from a Merrie Melodies cartoon, She Was An Acrobat's Daughter. The cartoon movie is called "The Petrified Florist" and caricatures Leslie Howard and Bette Davis.

To see the entire cartoon, visit: She Was An Acrobat's Daughter, Merrie Melodies

"The Petrified Florist," from Merrie Melodies She Was An Acrobat's Daughter

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Howard Meets Davis - Part Three

After months away from his children and his home, both in England, and the purchase of five polo ponies to alleviate his boredom and irritation, Leslie Howard finally began filming for Of Human Bondage (1934) in February, 1934.

The entire cast was English except for Bette Davis and Howard thought an English actress should have been cast as Mildred Rogers. Even though Davis had hired a British maid in an effort to learn the accent, Howard was not impressed. Davis was aware of Howard's feelings that she was ridiculous for the part. To observers Howard was polite but to Davis Howard was unsupportive, reading a book off stage while throwing her

It's Love I'm After

It's Love I'm After is a 1937 film directed by Archie Mayo and starring Leslie Howard, Bette Davis and Olivia de Havilland. It will be shown this weekend on TCM. [See your local listings]

Howard chose this film at the time because he thought it would be a break from stress. He had just finished his tour of Hamlet which he produced, directed and starred in. Although Howard decided to close the show on Broadway after only 39 performances, the tour was very successful. But Howard was tired. He thought a comedy would be just the thing to bring in some cash and relax with his family. Howard had already worked with Bette Davis in Of Human Bondage (1934) and The Petrified Forest (1936) and he was comfortable with her. He already has his mind on his next film, Pygmalion (1938), and was excited that he would be able to direct.

Here is the trailer for It's Love I'm After.

It's Love I'm After Trailer

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Programming Note

[Leslie Howard and Bette Davis
in The Petrified Forest, 1936]

The Petrified Forest to air on TCM on Friday, July 15, at 8:30 AM PST [Please check your local listings]

Leslie Howard and Humphrey Bogart reprise their roles from the stage play in which they appeared from January 7, 1935, through June 6, 1935, at the Broadhurst Theatre in NYC. Leslie Howard and Gilbert Miller produced the play in association with Arthur Hopkins. It ran for 197 performances. This two-act play was written by Robert E. Sherwood and adapted for the screen by Delmer Daves and Charles Kenyon.

The film marks a turning point in the career of Humphrey Bogart who had become very discouraged and told friends that if he didn't make it in Hollywood this time he was through. Thanks to the insistence of Leslie Howard, Bogart was offered the role of Duke Mantee, Bogart being so grateful he named his daughter after Mr. Howard. Howard had already had this honor bestowed on him once before when his friend William Gargan named his son after Howard in gratitude for jump starting his career.

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Programming Note

[Leslie Howard, Olivia de Havilland and
Bette Davis in It's Love I'm After, 1937]

It's Love I'm After to air on TCM on Saturday, July 9, at 3:15 AM PST [Please check your local listings]

Produced by Warner Brothers and directed by Archie Mayo, It's Love I'm After is a comedy which brings together Leslie Howard and Bette Davis for the third time. They appeared together previously in Of Human Bondage (1934) and The Petrified Forest (1936).

The film is about a pair of egotistical actors (Howard and Davis) who are in love but who have delayed their marriage over and over again throughout the years, mainly due to their heated arguments off stage. But the two finally agree that tonight is the night, until a young heiress (Olivia de Havilland) shows up and becomes totally infatuated with Leslie Howard. (I know that feeling.) Her fiancé (Henry Grant) pleads with Howard to discourage de Havilland and the wedding is delayed once again as Howard barges in at de Havilland's country home to show her just how obnoxious he can be.

The movie received good reviews and classic movie reviewers have come to recognize the film as undervalued and neglected.

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