A Very Surprising Man

[Leslie Howard as Peter Standish in Berkeley Square, 1933]

When I first decided to start my Leslie Howard Fan Page on Facebook I had only intended to post some pictures. But in my search for new photos my natural curiosity was piqued and I wanted to know the stories behind the images. This launched me on an almost compulsive search for information about Leslie Howard—The Man. I soon realized that I needed a blog to contain all the information I was discovering and that is how LeslieHowardSteiner.blogspot.com came into being.

Berkeley Square

[Leslie Howard as Peter Standish in
Berkeley Square, Lyric Theatre, London]

After years of disappointments on Broadway, Leslie Howard finally had a string of successes. It had been ten years since Howard made the decision to "try" acting and he was finally seeing the rewards. Howard had received rave reviews for The Green Hat and Her Cardboard Lover and was now an actor in demand. He got his first chance to star in a purely dramatic role in Escape, touted (due to a misunderstanding) as the last play John Galsworthy would ever write.

I Know What It's Like to Be in Human Bondage

[Leslie Howard with his son and daughter, Ronald "Wink"
and Leslie Ruth "Doodie," in one of the last pictures they
took together before the start of WWII]

Following is an excerpt from an interview with Gladys Hall for Motion Picture Magazine printed in the August, 1934, issue:

I was reminded, as he talked, of a little incident Bette Davis told me about him when they were working on Of Human Bondage together. She said that Leslie was standing just off

I Love My Husband, But—

[Leslie Howard as Peter Standish
in Berkeley Square, 1933

Norma Shearer, in an article "I love my husband, but—" for Modern Screen, June 1935, describes Leslie Howard:

"There was Leslie Howard . . . Leslie, true spiritual, who can wear the lace frills and bend the knee with such grace and conviction. Leslie with those amazing blue eyes that so 

The Horsy Mr. Howard

Leslie Howard once said, "Polo is living, much more than acting is."

Howard didn't much care for acting. As a matter of fact, he said that "acting isn't a profession for men. It's much better for women. It's an outlet for emotion..." And Howard did not like to show emotion. His performances are known for his nuanced style. He was known as the "thinker's actor." One reporter noted that while watching him film Of Human Bondage (1934) with Bette Davis the only difference she could see in his acting between the first take and the fiftieth take was that by the fiftieth take he seemed bored. But he did act.

During the 1930's Howard was considered to be one of the consistently best actors in Hollywood and was nominated for two Best Actor Oscars, one for Berkeley Square (1933) and one for his portrayal of Henry Higgins in Pygmalion (1938). When Rex Harrison was asked how he won the Best Actor Oscar for the same role in My Fair Lady (1964) he stated he merely played Leslie Howard. Howard was always in demand by leading ladies and he was a favorite of studio executives. His peers thought he should have won the Oscar for his performance as Peter Standish in Berkeley Square. Back in those days the winner was announced along with the runners up in order of votes. When Charles Laughton was announced the winner of the Academy Award for Best Actor for his performance in The Private Life of Henry VIII (1933), the audience applause was muted with one watcher stating they "sat on their hands." When Leslie Howard was announced as runner up, however, the audience roared.

[Leslie Howard on the polo field]

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